{"id":154,"date":"2020-09-24T15:35:38","date_gmt":"2020-09-24T15:35:38","guid":{"rendered":"https:\/\/cpr2020.nextgenradio.org\/?page_id=154"},"modified":"2021-10-01T16:38:00","modified_gmt":"2021-10-01T16:38:00","slug":"wonderbound-dancing-apart-and-coming-back-together-in-a-global-pandemic","status":"publish","type":"page","link":"https:\/\/cpr2020.nextgenradio.org\/wonderbound-dancing-apart-and-coming-back-together-in-a-global-pandemic\/","title":{"rendered":"Wonderbound, Dancing Apart \u2014 And Coming Back Together \u2014 In A Global Pandemic"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”About Next Gen: DO NOT EDIT” _builder_version=”4.5.1″ background_color=”#1d2528″ custom_padding=”2.6%|0px|2.6%|0px||” locked=”off” collapsed=”off”][et_pb_row column_structure=”2_5,3_5″ custom_padding_last_edited=”on|desktop” admin_label=”Time of Covid Row: DO NOT EDIT” _builder_version=”4.5.1″ custom_margin=”|||” custom_padding=”15px|0px|22px|0px||” custom_padding_tablet=”|0px||” custom_padding_phone=”|0px||” custom_width_px=”1280px”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”NextGenRadio” _builder_version=”4.6.3″ text_font=”Nunito|600|||||||” text_text_color=”#ffffff” text_font_size=”24px” text_line_height=”1.5em” header_font=”Oswald|||||on|||” header_text_align=”center” header_text_color=”#ffffff” header_font_size=”69px” header_letter_spacing=”5px” header_line_height=”1.5em” header_2_font=”||||||||” header_2_text_align=”center” header_2_text_color=”#ffffff” header_2_font_size=”27px” header_2_letter_spacing=”2px” header_2_line_height=”1.5em” text_orientation=”center” background_layout=”dark” max_width=”600px” module_alignment=”center”]<\/p>\n

NextGenRadio<\/h1>\n

@Colorado Public Radio<\/h2>\n

Finding, coaching and Training public media’s next generation.[\/et_pb_text][et_pb_text admin_label=”In the time of COVID: DO NOT EDIT” _builder_version=”4.5.1″ text_font=”||||||||” header_font=”|||on|||||” header_text_align=”center” header_2_font=”Oswald|||on|||||” header_2_text_align=”center” header_2_font_size=”40px” header_2_letter_spacing=”2px” header_2_line_height=”1.5em” background_layout=”dark” max_width=”600px” module_alignment=”center”]<\/p>\n

\u201cIn the Time of COVID-19\u201d<\/h2>\n

[\/et_pb_text][et_pb_text disabled_on=”off|off|off” admin_label=”Texts: DO NOT EDIT” _builder_version=”4.5.1″ text_font=”Nunito||||||||” text_text_color=”#ffffff” text_font_size=”18px” text_line_height=”1.8em” header_font=”Oswald||||” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” text_orientation=”center” max_width=”600px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”center” custom_margin=”-30px|||” locked=”off”]is a set of audio and digital stories highlighting the experiences of people whose lives have changed dramatically during the pandemic. [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/youtu.be\/GIg8KNEcRXg” admin_label=”YouTube Video” _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_video][et_pb_text admin_label=”Standup Intro Text” _builder_version=”4.6.3″ _module_preset=”default” text_text_color=”#ffffff” text_font_size=”18px”]<\/p>\n

Dawn Fay and Garrett Ammon are the married couple behind Wonderbound — a Denver dance company. COVID-19 forced them to re-think their art. Now, they\u2019re hoping to bring to their audiences a way back to what they call the \u201cbeating heart\u201d of their art form. Belle Armstrong reports for NPR\u2019s Next Generation Radio.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Hero Image” _builder_version=”4.6.3″ _module_preset=”default” background_image=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/belle_ard_final-scaled.jpg” custom_padding=”||1149px|||”][et_pb_row _builder_version=”4.6.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_row _builder_version=”4.5.1″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_post_title date=”off” comments=”off” featured_image=”off” _builder_version=”4.5.1″ _module_preset=”default” title_level=”h3″ title_font=”Oswald||||||||” title_font_size=”42px” title_letter_spacing=”2px” title_line_height=”1.2em” meta_text_color=”#04a3e3″ meta_font_size=”18px”][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_column type=”3_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_text _builder_version=”4.6.3″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em”]<\/p>\n

When the COVID-19 pandemic shutdown began in March, Dawn Fay and Garrett Ammon\u2019s \u00a0 dance company lost a critical tool. Their work could no longer rely on human contact.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u201cI can’t imagine being a dance-maker if we can never touch each other again,\u201d said Ammon.\u00a0 \u201cI couldn’t fathom it.\u201d\u00a0<\/span><\/p>\n

Fay and Ammon are the husband and wife team behind Wonderbound, a professional dance company based in Denver. Beginning in March, Wonderbound made the tough transition into the digital world, flattening their three-dimensional art form onto screens. The dancers were able to return to the studio in August and the company began to rehearse for an in-person performance that opens next month. With this show, Wonderbound\u2019s culture of connectivity is at stake, and the force that threatens it is out of their hands.<\/span><\/p>\n

\u201cIf we can do it in any way, shape or form, we’re going to keep trying,\u201d said Fay.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_audio audio=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/BELLE_Wonderbound.mp3″ title=”After the lockdown, can dance troupe survive the ‘new normal’ ?” artist_name=”Belle Armstrong” album_name=”Next Generation Radio | Colorado Public Radio | September 2020″ _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.1″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_image src=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/Belle01.jpg” title_text=”Belle01″ _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_image][et_pb_text _builder_version=”4.6.3″ text_font=”Nunito||||” text_font_size=”16px” text_line_height=”1.8em” header_font=”Oswald|||on|” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” header_4_font=”Oswald|||on|||||” header_4_font_size=”16px” header_4_letter_spacing=”1px” header_4_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”600px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”center” custom_margin=”|||”]<\/p>\n

Dawn Fay and Garrett Ammon perform Trey McIntyre\u2019s In Dreams for Ballet Memphis in 2007. (Photo courtesy of Dawn Fay and Garrett Ammon<\/em>)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.5.1″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em”]<\/p>\n

Wonderbound has worked to make ballet a far more local and tangible experience in Denver. They perform contemporary-style original pieces with a group of twelve dancers, six women and six men, and collaborate with local bands, another element of their commitment to localizing their art.<\/span><\/p>\n

The company had to cancel performances due to Colorado\u2019s stay-at-home orders. Creating dance when people couldn\u2019t get together seemed impossible, but Fay and Ammon wanted to keep their dancers employed. They had them choreograph routines and film themselves, and then put the videos on their website.\u00a0<\/span><\/p>\n

\u201cWhat we really had to do is embrace the fact that video is such a different medium. And honestly, it breaks our heart on some level, as fantastic of a medium as it is,\u201d said Ammon.<\/span><\/p>\n

Wonderbound produced 127 videos in total. Dancers can be seen in their kitchens, in parks, and in other outdoor spaces around the Denver area. All of the dancers followed social distancing guidelines and stayed apart from each other and other people. The content is still available free on the company website.<\/span><\/p>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/409764458″ image_src=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/Belle02.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_video][et_pb_text _builder_version=”4.6.3″ text_font=”Nunito||||” text_font_size=”16px” text_line_height=”1.8em” header_font=”Oswald|||on|” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” header_4_font=”Oswald|||on|||||” header_4_font_size=”16px” header_4_letter_spacing=”1px” header_4_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”600px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”center” custom_margin=”|||”]<\/p>\n

Project Wonder is a series of socially distanced dance videos produced on Wonderbound\u2019s website during the pandemic. Evan Pitts choreographs and performs Belgian Waffles, published on April 21.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.6.3″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em”]<\/p>\n

\u201cVideo can’t do quite the same things that live performance can. The transformative communal experience of all being in a room together, heart’s beating together, breathing together, existing in that singular experience as one community is really irreplaceable. And we’re anxious to get back to that,\u201d Ammon said.<\/p>\n

As COVID-related restrictions eased this summer, Wonderbound resumed in-person rehearsals, with safety precaution. Dancers had to get COVID tests, and danced in masks for the first two weeks.<\/p>\n

The company is now rehearsing for a show running in October titled \u201cWicked Bayou.\u201d It\u2019s a coming-of-age tale about two kids on a bayou in Louisiana growing up, falling in love and going through life’s hardships. In this story, those hardships include zombies and killer alligators that feed on the hearts of children.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.6.3″ _module_preset=”default”][et_pb_column type=”3_5″ _builder_version=”4.6.3″ _module_preset=”default”][et_pb_text _builder_version=”4.6.3″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em”]<\/p>\n

This performance, however, will look very different from past Wonderbound shows.<\/p>\n

Fay and Ammon have come up with guidelines: Masks are required, and there will be controlled entry into the theatre to avoid large groups. Sanitization procedures will also be put in place to ensure safety. The Pace Center seats more than 500 people, but they will only sell around 86 tickets per show.<\/p>\n

Fay said getting back on stage is critical to the long-term survival of the company.<\/p>\n

\u201cFor the moment this is what we can do,\u201d Fay said. \u201cBeing able to achieve shows even if it\u2019s on a smaller scale and trying to figure out how to bridge the revenue gaps to allow our people to be able to have a paycheck and continue to be able to survive and do what they do is of utmost importance to Wonderbound.\u201d<\/p>\n

With this performance, Fay and Garrett aim to bring back what was lost at the start of the pandemic \u2014 not just the ability of individuals to get close to each other, but groups too. \u201cIt\u2019s a whole community built around a shared experience,\u201d said Ammon.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.6.3″ _module_preset=”default”][et_pb_image src=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/Belle03.jpg” title_text=”Belle03″ _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_image][et_pb_text _builder_version=”4.6.3″ text_font=”Nunito||||” text_font_size=”16px” text_line_height=”1.8em” header_font=”Oswald|||on|” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” header_4_font=”Oswald|||on|||||” header_4_font_size=”16px” header_4_letter_spacing=”1px” header_4_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”600px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”center” custom_margin=”|||”]<\/p>\n

Wonderbound\u2019s \u201cWicked Bayou\u201d opens October 16. (Courtesy of Wonderbound<\/em>)<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.6.3″ _module_preset=”default”][et_pb_text _builder_version=”4.6.3″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em”]<\/p>\n

However, the disease is still front and center. \u201cThere is just that ongoing anxiety of having to keep track of the numbers nationally and statewide and locally and so forth,\u201d Fay said. \u201cAnd there’s always that little bit of anxiety of, OK, everybody just make sure that nothing changes that would undermine the opportunity to share this with our audience.\u201d<\/span><\/p>\n

One thing Fay and Ammon have been able to rely on is their relationship. After 19 married years, the couple has drawn on each other to deal with the complications of owning a business based on human interaction during a pandemic. The couple was already used to spending most of their time together, between working and living. To keep the company afloat, Fay focused her administrative strengths as Ammon utilized his creative skills to come up with solutions for their business together.<\/span><\/p>\n

\u201cCOVID has made us feel more like a united front. We can be a yin and yang, and all the things in between. We balance each other,\u201d said Fay.<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/Belle04.jpg” title_text=”Belle04″ _builder_version=”4.6.3″ _module_preset=”default”][\/et_pb_image][et_pb_text _builder_version=”4.6.3″ text_font=”Nunito||||” text_font_size=”16px” text_line_height=”1.8em” header_font=”Oswald|||on|” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” header_4_font=”Oswald|||on|||||” header_4_font_size=”16px” header_4_letter_spacing=”1px” header_4_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”600px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”center” custom_margin=”|||”]<\/p>\n

Wonderbound dancers perform a number to live music by The Widow\u2019s Bane in the 2018 production of \u201cWicked Bayou\u201d. (Photo by Amanda Tipton<\/em>)<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer – DO NOT EDIT BELOW HERE” _builder_version=”4.6.3″ background_color_gradient_direction=”90deg” background_image=”https:\/\/cpr2020.nextgenradio.org\/wp-content\/uploads\/sites\/38\/2020\/09\/radio.gif” parallax=”on” custom_padding=”0px|0px|0px|0px” global_module=”44″ saved_tabs=”all” locked=”off” collapsed=”off”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Footer Row” module_class=” et_pb_row_fullwidth” _builder_version=”3.25″ width=”100%” width_tablet=”100%” width_phone=”” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0px|0px|0px|0px” animation_style=”fade” make_fullwidth=”on”][et_pb_column type=”1_2″ _builder_version=”3.25″ background_color=”rgba(0,0,0,0.6)” custom_padding=”100px|10%|100px|10%” custom_padding_tablet=”” custom_padding_phone=”” custom_padding_last_edited=”on|phone” padding_last_edited=”on|phone” custom_padding__hover=”|||”][et_pb_text admin_label=”Title” _builder_version=”4.5.1″ text_font=”Oswald||||” link_font=”||||||||” ul_font=”||||||||” ol_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” header_2_font=”Oswald|||on|||||” header_2_text_align=”left” header_2_font_size=”40px” header_2_letter_spacing=”2px” header_2_line_height=”1.5em” background_layout=”dark” custom_margin=”||4%|” locked=”off”]<\/p>\n

About NextGenRadio<\/h2>\n

[\/et_pb_text][et_pb_text admin_label=”Texts” _builder_version=”4.6.3″ text_font=”Nunito||||” text_font_size=”16px” text_line_height=”1.5em” header_font=”Oswald|||on|” header_text_color=”#DCA57D” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” header_4_font=”Oswald|||on|||||” header_4_text_color=”#DCA57D” header_4_font_size=”16px” header_4_letter_spacing=”1px” header_4_line_height=”1.5em” background_layout=”dark” custom_margin=”||6%|” locked=”off”]<\/p>\n

The\u00a0Next Generation Radio Project<\/a>\u00a0is a week-long digital journalism training project designed to give competitively selected participants, who are interested in radio and journalism, the skills and opportunity to report and produce their own multimedia story. Those chosen for the project are paired with a professional journalist who serves as their mentor.<\/p>\n

This edition of the #NPRNextGenRadio<\/a> project was produced in collaboration with Colorado Public Radio in September 2020.<\/p>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/nextgenerationradio.org\/previous-projects\/” button_text=”See our previous projects” button_alignment=”left” admin_label=”Texts” _builder_version=”4.6.3″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#04a3e3″ button_border_width=”10px” button_border_color=”#04a3e3″ button_border_radius=”0px” button_letter_spacing=”3px” button_font=”Oswald|||on|” button_use_icon=”off” custom_margin=”|||” button_border_color_hover=”#c99872″ button_border_radius_hover=”0px” button_letter_spacing_hover=”3px” button_bg_color_hover=”#c99872″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#e09900″ button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”on” button_border_radius__hover=”0px” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”3px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#e09900″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ background_color=”#000000″ custom_padding=”100px|10%|100px|10%” custom_padding__hover=”|||”][et_pb_text admin_label=”Texts” _builder_version=”4.5.1″ text_font=”Oswald||||” link_font=”||||||||” ul_font=”||||||||” ol_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” header_2_font=”Oswald|||on|||||” header_2_text_align=”left” header_2_font_size=”40px” header_2_letter_spacing=”2px” header_2_line_height=”1.5em” background_layout=”dark” custom_margin=”||4%|” custom_padding=”|||” locked=”off”]<\/p>\n

Acknowledgements<\/h2>\n

[\/et_pb_text][et_pb_text admin_label=”Texts” _builder_version=”4.6.3″ text_font=”Nunito||||” text_font_size=”16px” header_font=”Oswald|||on|” header_text_color=”#DCA57D” header_font_size=”16px” header_letter_spacing=”2px” header_line_height=”1.7em” header_4_font=”Oswald|||on|||||” header_4_text_color=”#DCA57D” header_4_font_size=”16px” header_4_letter_spacing=”1px” header_4_line_height=”1.5em” background_layout=”dark” custom_margin=”||6%|” locked=”off”]<\/p>\n

Our audio engineer is Patrice Mondragon and Selena Seay-Reynolds.
\nOur illustrator is Ard Su and Emily Whang.
\nOur visuals editor is Erica Lee.
\nOur web producer is Robert Boos.
\nOur managing editor is Traci Tong.
\nOur digital editor is \u00a0Megan Verlee.<\/p>\n

Special thanks to our journalist-mentors this week:<\/p>\n

    \n
  • Taylor Allen<\/span><\/li>\n
  • Sam Brasch<\/li>\n
  • Graham Brewer<\/li>\n
  • Ariel Van Cleave<\/li>\n
  • Mariana Dale<\/li>\n
  • Maggie Freleng<\/li>\n
  • Laura Isensee<\/li>\n<\/ul>\n

     <\/p>\n

    NPR\u2019s Next Generation Radio program is directed by its founder, Doug Mitchell.<\/span><\/p>\n

    [\/et_pb_text][et_pb_button button_url=”https:\/\/nextgenradio.org” button_text=”More about NextGenRadio” button_alignment=”left” admin_label=”Texts” _builder_version=”4.6.3″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#04a3e3″ button_border_width=”10px” button_border_color=”#04a3e3″ button_border_radius=”0px” button_letter_spacing=”3px” button_font=”Oswald|||on|” button_use_icon=”off” custom_margin=”|||” button_border_color_hover=”#c99872″ button_border_radius_hover=”0px” button_letter_spacing_hover=”3px” button_bg_color_hover=”#c99872″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#e09900″ button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”on|hover” button_border_radius__hover=”0px” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”3px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#e09900″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

    NextGenRadio @Colorado Public Radio Finding, coaching and Training public media’s next generation. \u201cIn the Time of COVID-19\u201d is a set of audio and digital stories highlighting the experiences of people whose lives have changed dramatically during the pandemic. Dawn Fay and Garrett Ammon are the married couple behind Wonderbound — a Denver dance company. COVID-19 […]<\/p>\n","protected":false},"author":392,"featured_media":392,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"coauthors":[15],"_links":{"self":[{"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/pages\/154"}],"collection":[{"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/users\/392"}],"replies":[{"embeddable":true,"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":0,"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/pages\/154\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/media\/392"}],"wp:attachment":[{"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/media?parent=154"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/cpr2020.nextgenradio.org\/wp-json\/wp\/v2\/coauthors?post=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}